Nowadays when a new movie rolls into Empire Cinema, it’s often something you’re already familiar with, like the latest instalment in a superhero franchise, an adaptation of some bestselling book, or an old classic remade for modern audiences.
WHEN I first saw the poster for the new Liam Neeson film, The Commuter, I didn’t think it was a real movie. (Tagline: His life is on the line.)
When you think about the story of Jesus on film, most movies seem to follow a similar theme - his life, his death, and ultimately, his resurrection.
When it was announced that Coco would be the one to follow the amazing film that was Moana, it looked like Disney might have learned all the wrong lessons from the successful Polynesian film.