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After a couple of decades watching mainstream movies, you learn there are certain immutable rules of the multiplex universe that are seldom disobeyed.
The opening scenes in American Made look as though someone saw the 2016 film Sully, also a true story about a pilot, and learned all the wrong lessons.
Think about if you’ve seen this before: A young boy or girl (but usually a boy), lives in a world where he just doesn’t feel right, where he doesn’t totally fit in.
There must have been once upon a time when a door closing ominously in the background would have made audiences afraid, or lights flickering on and off must have had people squeezing their partner’s hand in fright.